Thursday, January 21, 2010

Running a Handcrafted Business in a Mass Market World

Craft MBA has an awesome post from earlier this week about running a business handcrafting items in a world where mass-produced, low-priced things are king. It's about Etsy in particular, but it brings up a lot of larger issues.

But you need to go read it. And then read the comments. Go. I'll wait until you come back.

There's a lot to unpack there.
I think when many people look at a price, they only mentally factor in how much value there is in the materials (if they are even able to infer that). Most consumers lack the ability to factor in all the other costs associated with running a business – whether it’s a multinational corporation or a one-woman show – that effect a price.
I'd change "lack the ability" to "don't think about". I don't think they lack that ability, I just don't think it crosses their mind. You see a thing and you think only about what's to hand when you think about what goes into it. Not about running the structure behind it.

There's probably something to say in there about how a company is a group of people who working together can produce something more efficiently than they each could on their own. And so there should be price gains -- or some other kind of gain -- to be made from getting everyone to work together.
While there are sellers on Etsy who make a full-time living from their work (often using Etsy in conjunction with retail shows, wholesale and consignment, and other selling venues), there are many more who view Etsy as an extension of their hobby. They knit scarves in their spare time, and someone suggested that they sell them on Etsy. These sellers don’t consider labor, profit, or many of the other costs of running a business when setting their prices because they don’t have to. And because these low prices occur on Etsy, more and more buyers expect them. Which creates a vicious cycle where sellers feel they need to lower their prices in order to sell.
This is really interesting to me, particularly in light of the my above comments. I think the gains to be made from creating/selling full time (particularly when Etsy is just one place you sell) is that there is likely going to be a difference in quality. The more you do something, the better you get at it. Someone who makes things full time is likely going to have a higher-quality product than someone who sells as an extension of their hobby simply because they're typically spending more time on it. The business problem then becomes: how do you communicate the higher quality to the customer, particularly online where they can't inspect the goods side-by-side?

I think there are potential implications for who's going to be selling what on Etsy as a result of that -- if they don't provide the tools to show higher quality goods for professionals (or if the professionals end up leaving Etsy en masse for whatever reason) -- then Etsy will become a byword for poorly-made stuff. However, I have faith that The Powers That Be are thinking about that and working on it - they don't make as much money if there aren't any sales.
From the comments: "Etsy is not the only place where prices have been slashed in order to pull in buyers. People are broke and they want to spend less; art and adornment being commodities that are wants and not needs only further justifies the slippery slope of price reduction. Places like Wal-Mart are running small time manufacturers into the ground with their price gouging and relentless, market annihilating negotiation techniques. There’s just a really profoundly awful convergence of circumstances that prevent people from justifying a purchase that identifies them as an individual – especially when what they want is made by an individual who supports themselves with the profits. This is kind of the American dream crumbling in upon itself."
Honestly, this is what keeps me up at night. Having a kid makes the abundance of cheap plastic crap in our society just so blindingly obvious. One of the reasons I love working on This Charming Candy is because it helps me be more aware of what things cost, what they should cost, and where they come from (aside from having an awesome business partner and loving spread joy through a little bit of sugar).

Of course, I'm also extremely lucky in that I *can* think about where my stuff/food comes from. Low prices have allowed a whole lot of people to eat and have things that they wouldn't otherwise be able to - I don't want to overlook that.

This doesn't mean that Susan and I are going to be changing our selling strategy in the next week or so. But it definitely gives us something to think about, particularly as we continue to plan for the next year or two.

5 comments:

  1. being an ex-auto person, i have also spent a great deal of time thinking about the various links between quality, cost, utility, need, etc.

    one of the things that continues to baffle and bother me about the car industry is the fact that a normal person can not judge the quality of a car because the objects are so complex. thus, many decisions come down to price alone. price as the *only* metric is dangerous and insidious.

    bringing small bits of affordable quality into people's lives is one of the things that i think will be necessary to rebuild a variety of industry sectors.


    - cce

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  2. kate - thanks for continuing the conversation over here!

    I think you're point about someone who is making stuff full time having higher quality is a good one. It takes time to master making something, and that quality is usually reflected in the item. Now how to convey this on the internet...

    -megan
    craftMBA.com

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  3. I remember reading papers in grad school about inspection goods (customer can tell quality by just looking - like goods at a craft show) vs experience goods (customer needs to experience the item to be able to evaluate it - like why you get to test drive cars).

    As we market our lollipops (which are currently only available online) I'm leaning more towards getting them out in the real world more -- particularly after reading a lot of the comments in the CraftMBA post -- thus making the inspection process easier.

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  4. Thanks Kate for the link and discussion, it is very thought provoking. Honestly, I'm not sure what to think.

    First off, I completely agree that our quality of life is declining rapidly even as we accumulate more and more goods. A small amount of quality goods is much more satisfying (to me, at least), than a mountain of cheap trinkets. But I am not so naive as to think that the majority of Americans feel the same way.

    I also agree that it is difficult for internet consumers to differentiate between a high quality and (justifiably) high piced item and a low quality and (justifiably) low priced item.

    But what is a "fair" price is a complicated question. As stated above, costs and quality play a big part. But many hobby artists CAN produce the same quality as a "professional". Do they have an obligation to raise their price until someone else can make a living doing their hobby full-time?

    Having been to many an art fair and craft show, I've noticed a sense of entitlement with some artists/craftsmen along the lines of, "I like creating/making widgets and have a fundamental right to make a living selling them. Therefore society has an obligation to buy enough of them at a high enough price to make that happen". My gut reaction is to say that if you can't make a living only by selling your widgets, then you're probably not nearly as talented as you think you are and you need a real job. Welcome to a market economy. (Wow, that sounded really mean.)

    On the other hand, I believe in the fundamental value of quality arts and crafts. A full time craftsman may push the quality ceiling higher than a hobbiest. So then the question becomes, "what is the added value to society of having a better top-end craftsman?"

    I don't have an insitefull conclusion, but I owe you an order for rambling on on your blog...

    -- Jacob W.

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  5. Jacob--

    I've been thinking a lot about what you said and some other thoughts around why companies exist. In theory, it's because companies can produce widgets that better meet a society's needs (whatever those needs happen to be - for lots of inexpensive goods or for a few higher-quality one or some of each and in what proportion) than individuals can. A company exists to meet those needs. This Charming Candy exists to provide higher-quality lollipops with unique flavors to adults. Is there a large enough market out there for us? I certainly hope so.

    I wonder if art/craft fairs aren't necessarily testing the abilities of the artists - can they run a business along with being an artist. I mean, you can be the best crafter/artist in the world, but unless you can also do things like manage inventory and control your costs, can you run your art as a business? And then, if that's true (and I'm not sure it is), what does that imply for selling / marketing on Etsy and in those craft fairs? I wish I knew more about how the markets work: do crafters get in on the ground floor that way and then start getting sold in more traditional retail outlets? Is that a normal way things get done?

    I don't know. I'm asking a lot of questions. It's definitely more food for thought.

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